FUMGASS Unites
FUMGASS unites those interested in the history and production of the canon of Gilbert and Sullivan works and provides financial support and stability to UMGASS, the University of Michigan Gilbert and Sullivan Society.
FUMGASS is a non-profit organization.
UMGASS is a non-profit, student-run organization that is supported through ticket sales and private donations made to FUMGASS.
UMGASS brings together university students, university faculty and staff, and community residents to produce the works of William S. Gilbert and Arthur Sullivan, twice each year. These fully-staged productions are performed with live orchestra at the Lydia Mendelssohn Theatre in downtown Ann Arbor.
The University of Michigan Gilbert and Sullivan Society is the nation’s oldest student-run society dedicated to performing the operettas of Sir William Gilbert and Sir Arthur Sullivan. This organization offers participants opportunities to exercise and master their artistic craft, whether it be set design, costume construction, orchestral playing, or singing and dancing. Of equal importance, UMGASS gives its participants the opportunity to develop leadership and team-building skills, develop long lasting friendships, and become a part of a tradition that was born in 1947. UMGASS also provides a great community service, providing our audiences quality entertainment, while educating them on the legacy and legend of Gilbert and Sullivan operettas.
1. Community Interest:
To engender and maintain community interest in the University of Michigan Gilbert and Sullivan Society (UMGASS) and the Gilbert & Sullivan operas.
2. Support of UMGASS:
To provide such financial support to UMGASS as the Board of Directors may deem proper, including providing opportunities for scholarships to deserving members of UMGASS.
3. Assistance to UMGASS:
To provide advice and assistance to the UMGASS Executive Board when requested. UMGASS has shown itself able to manage its own affairs and FUMGASS should in no way become involved with UMGASS management unless specifically requested to do so by the president of UMGASS.
4. Publication of GASBAG: To ensure the publication of GASBAG on a more-or-Iess regular basis, and to serve as an international medium of exchange for news and opinions pertaining to the Gilbert & Sullivan operas.
5. Fellowship: To provide a chance for Geeandessophiles to meet other kindred souls
(including members of UMGASS) in social or working environments.
Mission and Bylaws
The overall mission of FUMGASS is five-fold and is best expressed in this excerpt from the 2009 Bylaws. (The full document may be found HERE.)
About Us
History
FUMGASS was founded in the fall of 1969. That year, ticket sales from the disastrous summer show Paint Your Wagon bankrupted UMGASS and left the Society deeply in debt. Because UMGASS is a student organization affiliated with the University of Michigan, it did not have any financial reserves. The University threatened to close UMGASS down. Faculty advisors Harry and Betty Benford (and perhaps others) paid the bills and guaranteed the Society’s finances. The planned production of Ruddigore was replaced by Pinafore in the fall of 1969 followed by Pirates in the spring of 1970. Done on shoestring budgets, the debts were paid off and the coffers reasonably replenished.
That fall, the Benfords and John Allen established FUMGASS to raise funds for the group through annual membership donations that could provide a financial cushion for UMGASS should another shortfall recur. In the original governance structure, John Allen was Absolute Despot, Harry and Betty Benford were Wise Men (with obvious allowances being made for Mrs. Benford), and the current UMGASS president ex officio was Public Exploder who could blow the whole thing up if ever the UMGASS Board decided FUMGASS wasn't a good idea anymore. (In actuality, John Allen served more-or-less as treasurer, and the Benfords ran the rest.)
Since then, FUMGASS has attracted to its board and membership people from the audience, casts and production staff who love UMGASS productions and want to ensure its financial security and longevity.
In 1999, FUMGASS took an important step becoming a 501c(3) nonprofit organization allowing all membership contributions to be tax deductible. The Society’s bylaws were updated at the same time. The bylaws were amended again in 2009 to more carefully delineate board functions and they remain in effect. The full document can be seen HERE.
Although the need for FUMGASS to provide financial support has happened rarely since 1969, the current financial climate and declining audiences have meant reduced revenues. FUMGASS has once again been subsidizing UMGASS productions.
Mission and Bylaws
The overall mission of FUMGASS is five-fold and is best expressed in this excerpt from the 2009 Bylaws. (The full Bylaws document may be found here.)
1. Community Interest:
To engender and maintain community interest in the University of Michigan Gilbert and Sullivan Society (UMGASS) and the Gilbert & Sullivan operas.
2. Support of UMGASS:
To provide such financial support to UMGASS as the Board of Directors may deem proper.
3. Assistance to UMGASS:
To provide advice and assistance to the UMGASS Executive Board when requested. UMGASS has shown itself able to manage its own affairs and FUMGASS should in no way become involved with UMGASS management unless specifically requested to do so by the president of UMGASS.
4. Publication of GASBAG:
To ensure the publication of GASBAG on a more-or-Iess regular basis, and to serve as an international medium of exchange for news and opinions pertaining to the Gilbert & Sullivan operas.
5. Fellowship:
To provide a chance for Geeandessophiles to meet other kindred souls
(including members of UMGASS) in social or working environments.
President: Brynn Raupagh
Brynn joined UMGASS in 2001 as chorus member where she has happily remained in both female and male guise with occasional walk-on parts. She also served as UMGASS secretary, FUMGASS vice president, and coordinator of the 60th Anniversary Celebration. Brynn was previously a member and secretary, vice president and president of The Arbor Consort, an Ann Arbor a cappella group. Now retired, Brynn was a freelance museum exhibit developer and partner in her husband’s home remodeling business.
Vice President: Vacant
Could be you!
Treasurer: Alexandra Kahn Roselle
Ali is a former UMGASS president and treasurer and has performed onstage in various lead and supporting roles with UMGASS since 2007. She is a dual graduate of the UM Ross School of Business (BBA, MAcc) and UM School of Music, Theatre & Dance (BMA, Voice Performance). Ali is a registered CPA and a former PricewaterhouseCoopers auditor; she currently works as a financial planning and analysis director for WarnerMedia/HBO in New York. She is married to UMGASS alum Jon Roselle, to whom she famously got engaged during the curtain call of UMGASS's 2013 production of Pirates of Penzance (http://www.annarbor.com/entertainment/umgass-pirates-of-penzance-performance-ends-in-cast-members-engagement/).
Keeper of the Rolls: David Goldberg
I joined UMGASS for the Fall, 1963 production of The Mikado, which shut down abruptly on the assassination of President Kennedy. That may have been the jolt that bound me to UMGASS. Years later, I was levitated above the orchestra pit by UMGASS Faculty Advisor and guru Harry Benford, to become President of FUMGASS, which lofty position later led to becoming the editor of GASBAG, and then and now, The Keeper of the Rolls. And here we are.
GASBAG Editor: Sarah McNitt
Sarah McNitt is a long-time Gilbert & Sullivan fan whose participation in UMGASS productions has thus-far been limited to years of (quietly) singing along from the audience. Now she has taken a more active (but equally quiet) role by becoming editor of FUMGASS’s member newsletter, GASBAG (Gilbert And Sullivan Boys And Girls). Sarah is a five-time Jeopardy! champion and works for the Michigan Institute for Computational Discovery & Engineering at the University of Michigan.
Archivist and Historian: Daniel Florip
Dan Florip appeared in five UMGASS productions, ran the makeup department for six more, served as President of UMGASS in 2002-03, and directed The Mikado in 2006. He edited GASBAG for five years starting in 2009. Dan spends most of his time working as a transactional and estate planning attorney in Alpena, Michigan. Sometimes his archiving the history of UMGASS takes a back seat to playing golf, home improvements, traveling, researching family history, and fathering two crazy young boys.
Member at Large: Mitchell Gillett
Mitch started performing with UMGASS the moment he hit town in 1987. Joining the FUMGASS board in the mid-90s to help with the 50th anniversary, he later edited the GASBAG from 2004 to 2009. Moving to Rogers City in 2019, he is now a freelance opera director. He has performed roles with UMGASS, Main Street Opera, Southern Ohio Light Opera, The Colorado Gilbert and Sullivan Festival, Arbor Opera Theatre, MOT, The Buxton (UK) International Festival, and the Comic Opera Guild (COG). He has directed productions for the COG, AACT, West Michigan Savoyards, UMGASS, and the Croswell Opera House.
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Member at Large: Margie Warrick
Margie’s first production was Mikado in 1982 and she was hooked! She went on to appear in several productions and choreographed two of them. Margie is most proud of directing and choreographing HMS Pinafore in 1995 and The Mikado in 1999. She served as FUMGASS president from 1993 to 2005. Her major accomplishment was establishing FUMGASS as a 501 (c) (3) organization and encouraging robust fund-raising efforts. Margie also organized the 50th UMGASS Anniversary celebration, which was a full week-end event.
Member at Large: Natan Zamansky
The lure of performing with UMGASS was one reason Natan chose to attend the University of Michigan. He encyclopedic knowledge of G&S was invaluable during his participation in UMGASS productions in on and off-stage capacities. Natan served on the UMGASS board and was GASBAG editor for two years. He now lives in New York, exclusively off-stage.
FUMGASS Past Presidents
Harry Benford Fall 1969 – Fall 1978
Gloria Bennish Fall 1978 – Spring 1981
Lee Vahlsing Summer 1981
Joe Beitel Summer 1981 – Fall 1982
Mary Locker Fall 1982 – Winter 1983
David Goldberg Winter 1983 – Fall 1993
Margie Warrick Spring 1993 – Fall 2005
Don Devine Fall 2005 – Spring 2020
Brynn Raupagh Spring 2020 – present
